Cccchello! Welcome to my blog, here you'll read about the random things I dribble on and on about, or what I see through my camera lens. :D

Crush It.

Thursday, February 4th, 2010

The piece of advice I try and give to people who need it, is that you need to pursue what ever it is that makes you happy. Everyone I know has always had this one idea/dream/passion, that they just kind of let it sit there. I am one of those people.
But why though? I never really went after my passions before because I knew the road ahead was gonna be tough, and I had the typical want of having instant gratification. And let’s face it, that only happens to a few and I just told myself that my time would come and every thing would come back to me in the end. A few years goes by, and I begin to think that my rational is very, very flawed. I could wait for a thousand years and nothing would ever come about. That’s not what I want. I want to be happy, not wait around for it to come to me.
If you want success, you have to work your ass off. You have to do things you aren’t normally willing to do, and I think this is where I (and many others) balk at the idea of chasing our passion. I’m sure Thomas Edison sacrificed a lot in chase of his thousands of patents, not to mention probably got shocked to hell a few times. But you think that would deter him what he ultimately wanted to do? Pfft no.
Since I bought Nikon D40 two years ago, I have toyed with the idea of opening up my own studio. I have always had this intense passion for photography, and everywhere I go I always have a camera on me. Hell, sometimes I get the feeling I annoy a lot of people I work with when I talk about photography. But it’s what I love, I know if I could have my own studio, and just use a camera all day, I’d be happy.
During my deployment, I bought some studio equipment. I asked around, and I eventually settled on some pretty decent stuff. I was getting pretty stoked. I was prepping for what I really wanted to do. I also began to read about different photography techniques I was interested in, and I even began to collect photos I wanted to recreate in my own fashion. I kept reading, and toying. I wanted to do this, I wanted to do it right, and most of all, I wanted to be happy.
I balked for a while after that. I doubted myself, and I thought I wouldn’t be able to compete on the stage I ultimately wanted to get too. So I slowed down the tone of which I was going. I often wonder if this was such a good idea, but I doubt I’ll ever know. I also didn’t know if I wanted to reenlist in the Air Force, something I’ve been debating for over the past year. It took a text message conversation with someone who I regard as my Spiritual Advisor, for me to realize what I really needed to do. So I picked up the pace a bit, still a bit hesitant about it. I was and am still seeking active advise, but I’m not gonna let my pace slow down any more than it is.
Then.
I started to read/listen to a book by someone I follow on Twitter. His name is Gary Vaynerchuk. If you don’t know who he is, then I suggest you visit his website, www.garyvaynerchuk.com. The man is good at what he does, from his website:

Gary Vaynerchuk has captured attention with his pioneering, multi-faceted approach to personal branding and business. After primarily utilizing traditional advertising techniques to build his family’s local wine business into a national industry leader, Gary rapidly leveraged social media tools such as Twitter and Facebook to promote Wine Library TV, his video blog about wine. As his viewership swelled to over 80,000 a day, doors opened to a book deal, several national TV appearances, and a flurry of speaking engagements around the world. Gary’s dual identity as both business guru and wine guy has made him the “Social Media Sommelier.” His impact on the wine world has been commemorated via his inclusion in the 2009 Decanter Power List, an index of the 50 most influential figures in the industry.

To say the man loves wine is a bit of an understatement. To hear him talk about wine, you can just grasp his passion for it. You know this is what he wants to do, and you also know that he wants to be on top of the world with it. As you can tell from the blurb above, he used different ’social media tools’ (God I hate that phrase), to let his passion be known through out the world. And in a way, I want to do the same thing.
So I started to read Gary’s book, Crush It!. I didn’t really take it in at first, because I had the notion it was some dopey self-help book that’ll help you get the instant gratification that we all wanted. So I put down the book and got the audiobook version where he was the one reading it. It was then that it just started popping together. The same passion he does with his WineLibrary TV stream, he does with the audiobook, and I really started to get what he was saying. And he kept it real. He repeated what I said above, you’re gonna have to work your ass off. It’s a little different hearing the advice you know and tell yourself from someone who a few years ago was pretty much in the same pot as you.
And even though I’m only half way through the book, I’m pretty stoked again about what I wanna do, what’s gonna make me happy. It’s not gonna be easy, it’s gonna suck for a while, but I’m sure I’ll have what I need in place to get the job done, done right, and let me keep my passion afire.  I already have some ideas what I’m gonna do, and how I’m going to do it. Hell, I already have some in place.
I wanna Crush It!

(First Chase Lisbon, now Gary Vaynerchuk. Who’s gonna be next on my list of pure awesome?)

A List.

Monday, January 4th, 2010

Everyone has lists, if you say you don’t you’re either dead or lying. I have quiet a few, but there’s been a few more I’m making. One is of places I’d like to visit and capture with camera, there is of people. The places are unimportant right now, I’m still making the list. The list of people, well, that’s rather complete. A list of “celebrities” (meaning a list of people more famous than me, which is 90% of the population and also pretty much Geeks in their own right), and a list of friends. But, now that I have a list of people the idea of how to capture them is well beyond me.

The List of “Celebrities”

  • David Tennant
  • Scott Bourne
  • Violet Blue
  • Andy Ihnatko
  • Leo Laporte
  • John C. Dvorak
  • Apnea
  • Chase Lisbon
  • James May
  • Adam Duritz
  • TripleSix
  • Greg Easton
  • Scott Kurtz

List of Friends

  • Lyssie Almaguer
  • Adam Thurloat
  • Chelsea Pullin
  • Renee Scofield
  • Jenn Thomas
  • April Davis
  • Ian Kelly
  • Jerry Vo
  • Ski

This list will change, like every other list in the world. It’ll get longer, and longer, and longer. Hopefully though I’ll be able strike through names and add more to the list than just add names to it. Though, I can imagine the celebrities list will be a bit harder to knock out. Basically, I’d like to capture some of the more unique people out there, people who I find interesting. It’d be nice to show the world how I see them.

Hopefully I wouldn’t disappoint. :s

2009 in Pictures.

Friday, January 1st, 2010

What follows is a selection of my favorite photos I took over 2009. This isn’t gonna be a light post, so sit back and relax. See if you can notice my progression and spot the big moments for me.


Sunrise 1 — http://www.flickr.com/photos/ian_munroe/3213889047/


New and Old. — http://www.flickr.com/photos/ian_munroe/3250781371/


Burnt Rubber 2. — http://www.flickr.com/photos/ian_munroe/3239796803/


Cutting. — http://www.flickr.com/photos/ian_munroe/3315713184/


Inside Spinner. — http://www.flickr.com/photos/ian_munroe/3448675021/


Happy Bell. — http://www.flickr.com/photos/ian_munroe/3449464780/


B&W Fence. — http://www.flickr.com/photos/ian_munroe/3485303076/


Bridge. — http://www.flickr.com/photos/ian_munroe/3545836402/


Old vs. New. — http://www.flickr.com/photos/ian_munroe/3586599102/


Clouds 2. — http://www.flickr.com/photos/ian_munroe/3586572388/


Lost House 2. — http://www.flickr.com/photos/ian_munroe/3593145203/


Jazz. — http://www.flickr.com/photos/ian_munroe/3599525238/


Saint Louis Cathedral 2. — http://www.flickr.com/photos/ian_munroe/3598714971/


Good Times. — http://www.flickr.com/photos/ian_munroe/3634141550/


Milt 2. — http://www.flickr.com/photos/ian_munroe/3634157796/


Turn. — http://www.flickr.com/photos/ian_munroe/3633692273/


Party. — http://www.flickr.com/photos/ian_munroe/3633628861


Another Kansas Sunset. — http://www.flickr.com/photos/ian_munroe/3645131363


Union Pacific. — http://www.flickr.com/photos/ian_munroe/3638897983


Uncle Ian 3. — http://www.flickr.com/photos/ian_munroe/3649552834/


I <3 RMS. — http://www.flickr.com/photos/ian_munroe/3798017787/


Shoe on Head. — http://www.flickr.com/photos/ian_munroe/3848413116/


<3 — http://www.flickr.com/photos/ian_munroe/3849257101/


Working. — http://www.flickr.com/photos/ian_munroe/3830078377/


3 Pretty Big Things. — http://www.flickr.com/photos/ian_munroe/3991713590/


Ribbon. — http://www.flickr.com/photos/ian_munroe/4086760387/


Boots. — http://www.flickr.com/photos/ian_munroe/4081747208/


Night Drive 1: 17 October 2009. — http://www.flickr.com/photos/ian_munroe/4017261023/


Senior Airman Davis. — http://www.flickr.com/photos/ian_munroe/4120260808/


Hands 3. — http://www.flickr.com/photos/ian_munroe/4096069392/


Candy Glasses. — http://www.flickr.com/photos/ian_munroe/4131718810/


Eyes On. — http://www.flickr.com/photos/ian_munroe/4131722190/


Senior Airman Niswonger 2. — http://www.flickr.com/photos/ian_munroe/4120274892/


Self Shot: 8 December 2009. — http://www.flickr.com/photos/ian_munroe/4169746482/


Pretty Night. — http://www.flickr.com/photos/ian_munroe/4201067636/


Blurrrrrr. — http://www.flickr.com/photos/ian_munroe/4201062874/

Comfortable.

Saturday, December 5th, 2009

I was never comfortable in front of a camera, and just about every photo of me I was there with my awkward ass smile, and this stupid goofy look on my face. Usually if you were close enough to me, you could listen to me talk under my breath, spewing my disdain for being in front of the camera.
But now that I wanna devote more of my time behind the camera, is it really important for me to be comfortable in front of the lens, as I am behind it?
I just think it might be. To me at least, you would think that if you had some experience in front of the camera, you can better relate to what you want from behind the camera later on. I mean, it makes sense. For you to be good at anything you wanna do,you’re gonna have to relate what you want/need to someone. And to a photographer, how can you be any good with models, if you don’t/can’t relate/describe what you want/need.
When I have a free moment, I toy with the idea of me actually getting in front of the camera and just having several small series done. Few headshots, general shots, but a small set, by different photographers. Mostly to see how they act and relate, but also you can only do so many “MySpace” shots. Those don’t count, they *never* do. :P

But, I’m also very interested in what others say:
A) Is it important to know how to relate what you want as a photographer, and how much?

and

B) Who would be willing to take photos of me with the risk of their lenses breaking? :P

More (or less) on Light, Fun, and alt(dot)porn.

Thursday, November 12th, 2009

(I can imagine if you read this, some of you might get mad. If you do, I’m sorry. I’m a bit of an odd case and doing things the ‘normal’ way have never really suited me, so I appreciate the weird, odd, and the different. But if you get mad at how I write my dribble, I’m also sorry there, I’m not a good writer. :P )

The more, and more, I peruse Supercult.com (thank you Chase, but I actually have enough left over to actually sign up.), and look at Chase Lisbon’s photography. I find myself more engrossed with his style. His rather secretive style that works beyond normal comprehension. I guess in normal realms most would view these as the less desirable pictures, since they hide detail, and don’t follow normal photography convention.
But, what fun is it following normal convention?
I keep telling myself that I wanna make my photography fun, challenging but fun. I mean, I have a slew of photos of all different styles saved on my computer, that once I feel I’m ready to try. I’ll try them out and put my own twist on it. For example, this shot from a few days ago:
Hand 3. I mean, look at it. The only light I used was from my iPhone, I toyed around for a good twenty or so minutes with my shutter speed and f-stop to get the desired effect. Although, I had more fun trying to create a little rig for my iPhone to aim the light how I wanted it without having to squish my hand up too much.
So you can imagine me, sitting at my desk, rigging my iPhone, placing my hand, and holding my D90 with my only free hand trying to keep it still enough so what detail I have doesn’t go to hell. It was a bit of an endeavor to say the least, but I was having fun with it. And when I get to the point where I will have my first photo shoot with someone, I’m gonna take what I learned from this and try to apply it.
Hand 3 was the third one in a quick series as I moved my camera and focused on different parts on my hand, and really my favorite one of the three I posted on Flickr. I can see the scars on my hand from work, the calluses that have formed, and the little bit shadow from rest of the lines on my palm. I mean, how often have we really looked at our hands seen all the intricate detail there? This is just on a hand too, imagine where else on the body that could have some good detail and under the right light you will be able to see it.
As I go back to Supercult and look at all the different sets, you can see a steady progression of Chase’s technique. And with it, I see more of an soul forming with them, some parts get flushed out some parts get too dark. But it just goes with the overall tone, and it works. For me, it just goes beyond the usual alt.porn, it literally is museum style art. With each stage of the progression of light experimentation, it just works. I mean, I could go to God’s Girls or Suicide Girls (ew) if I wanted just straight up alt.porn or sex or whatever. I mean, tits are just tits in normal light. Pus is just pus in normal light.
Like any other porn photo set, the one’s I saw on SG or GG sites, are like cars without souls (ie, the Geo Metro’s of the world). To me, it just seems they are there to stir up primal urges and nothing else. I don’t mean to degrade the photographers that took those photos (or even the models), but it’s just like something you can get anywhere else, there’s no rhyme or reason for me to go there, there’s nothing really to appreciate. And I’m sure those photographers could outshoot me with one eye closed and both hands behind their back, but to me it just never really shows in those photos. I hate to say it, but it’s a cookie cutter aspect. Where’s the fun at? Is it fun because you’re taking the pictures, capturing a certain sense of style; or is it fun because more often than not you got some woman in front of you, posing, naked.
Okay. You’re working with a model who I’m guessing you’re directing to give off certain vibes that compliment her style. Okay. Got that. But, isn’t a part of you driven to go against the grain every once in a while? Use less light, more light, change your exposure settings and toy with your f-stop. Find the settings for that model that best compliment her to really show off her details?
Am I saying that *every* site should be like what I see on Supercult? No. And I say this because I’m a bit of photography and porn snob. What works on one site may not work for another, what one photographer is comfortable with might just not work with another. But I hope that a lot of photographers out there at least try and experiment more, and then post it all.
If I wanted to (and I kinda do), I could have a print made of any random image from Supercult, and hang it on my wall, get away with calling it art have and someone not get too terribly offended with it.
But how?
The style of light.

Light.

Wednesday, November 11th, 2009

I’m a huge science/physics geek, I used to watch Beakman’s World and Bill Nye religiously after school and on Saturday mornings. If there was a science book at the library, no matter the subject, I’d borrow it and read it. One part of physics and science I have always loved and really respected is light.
Traveling at 186,000+ miles per second and the only thing that can stop it is a black hole. It just bloody captivates me.

Falls.If you pay attention to my Flickr feed, you no doubt have seen images like above. While friends of mine have been playing with Tilt Shift photography, I’m turning every light off in my meager apartment, opening the shutter and aperture all the way and swiping my iPhone in front of the lens. Trying to understand light in front of the lens. My next step? Reflecting light off my hand, arm, and other bits. Seeing what I don’t normally see, with colors you really wouldn’t expect to see.
My reasoning behind this, when I get everything together, and my first photoshoot is happening, there are gonna be a few experimental shots like above. The only difference is that there will be a human there hopefully reflecting light. Light, creating shadows, reflecting back. I’m seriously all about seeing things in a new (pardon my horrid pun), but light. We see humans everyday under normal light, they go to and fro, doing what they need to do. I want to see things differently, I want to experiment. Photography is my drug, and the only way I’ll get high is with experimenting.
I’ve been taken back by a certain photographer, Chase Lisbon (you can find him at Flings.com, and Supercult.com both sites are superly NSFW). It really boils down to how he uses light, and it’s really freaking insane.
Some may frown on little light, you can’t capture the person/subject, you don’t see the whole scene.
Bullshit.
Some of the most amazing photography I’ve seen of him is little to no light, highlighting certain areas where the light just caresses the subject. The pictures Chase posted on Flngs, they’re on my iPhone and I’ll be rotating them as my wallpaper, work safe or not, the pictures are amazing, and if there is a book of his stuff, I’ll buy copies for me and my friends.
I’ll be playing with light, emulating what I like, adding my own little twists and turns. The more and more I play with my photography, the more I see where I want to go and how I want my style to form. If I get lost, I’ll turn to friends, and the people I look up to for inspiration. Even if they are a bit odd and out of the norm. ;)

What I’m Lacking, Photography Wise.

Thursday, November 5th, 2009

I look all over my Aperture library, my portfolio, even the few printed photos I have, and the one thing I really lacking?
Portrait shots, and the one way I really enjoy shooting, contre-jour.I see plenty of portraits in my library, but none that I’m satisfied with, and the few I like are of one person who will never allow me to use them in my portfolio. I like what I have now in my portfolio, but I feel like I need something more. I can shoot partieslandscapes, objects, skylines, sky, goofs, all day everyday. But, portraits actually scare me a bit.
Should they? Well, no. But I would want to capture the whole person though. Not just their face, and some “magnum” style look, it just seems like anyone can do that.
Well, I’m not just anyone, and I don’t like (and never have liked) going with the crowd. My ideas are always grandiose and drive me crazy in the process.
I always imagine taking photos of someone in their own element, where they feel most conformable at. It just feels to me, if you’re gonna capture someone, it should be more than your idea on how to capture them. However the photo shouldn’t just yell at you, “HEY THIS IS SO-AND-SO!”
Any Tom, Dick, and Harry can wildly take pictures of someone’s fizzog in any fashion. But that’s just not me, the photo has to speak, not yell, to you.
I think this is where I get a little intimidated with the idea of me shooting portraits. Not only will I shoot around 50 to 80 shots (where almost half will be eliminated on the spot), but I don’t know if I could ever feel if I truly captured the person. There was one time, where I felt the I captured a group of people (remember the bike repair set?), but that really wasn’t a portrait set. But can you sort of get my drift?
You’re capturing someone, at a particular moment, whether it be happy, sad, angry, what ever. It should be more than someone standing in front of a cheesy background (like those from Glamour Shots, ugh), a close up, heavy make up and a cheesy smile. Okay, if you have no idea what I mean, the picture below should help.

From Digital Picture Zone, photographer unknown http://www.digitalpicturezone.com/performance-metrics/pros-and-cons-of-artificial-vs-natural-lighting-in-portrait-photography/

From Digital Picture Zone, photographer unknown http://www.digitalpicturezone.com/performance-metrics/pros-and-cons-of-artificial-vs-natural-lighting-in-portrait-photography/

I mean, it’s more than a portrait, but in all terms you can use it as a portrait if you have too. But, look at it. Lovely bokeh, cool, crisp, flush, natural lighting and it just feels like she belongs there. If I could find a larger version of this photo, I would more than likely use it as a desktop image. And to be honest, if I could shoot portraits like this of people, I’d be happy.
My self doubt, is annoying, but I feel it’ll get me to where I wanna go. Sometimes my passion for photography really irks me though. :P

Me in a Photography Contest?

Tuesday, September 1st, 2009

There is a photography contest coming up on base sponsored by the 86th Services squadron, entries are due on the 15th of October I guess. Basically I can do two photos per category, and I’ll be entering the Digital Photos group since I don’t do prints.

Only problem is, I don’t know which ones to enter, I need help! 709 photos, and I have no idea which ones to enter and which two to put in each category! I would really like some help on this, I’m WAAAY to subjective on what photos are good and such. If I can get some you guys, my friends, to help me out, I would sincerely love it and be thankful. :D

Working.

Monday, August 17th, 2009

Working., originally uploaded by ianmunroe.

Editing the photos I took over the weekend, trying to build up my lost library again. :(

I haz sad.

Saturday, August 15th, 2009

Okay, first my BlackBook (Jade) died from a screen malfunction, but that’s okay, I backed her up on my TimeMachine, so all I need to do is a screen and logic board swap. I can deal with that.

However.

My external that housed my Aperture Library, failed. I”m guessing it was a power surge last week during those storms we had. (I had it on a surge protector/battery backup so I don’t quite get it). 500gb of photos, gone. Lost. The latest backup I have is from my trip to the states over two months ago. So ALL the good photos I was gonna put in my portfolio I was creating, gone. All the recent edits, touch-ups, everything. Gone.

As you can imagine, I’m quite sad. This has cemented the fact that I will be getting a Drobo (and probably multiple at that). 500gb… Goddamn that’s a lot of stuff to lose. I is sad. :(